French MP abandons bid to ban bullfighting

A bid to ban bullfighting in France has been abandoned, to the relief of lovers of the traditional blood sport and dismay for animal rights' activists.

French MP abandons bid to ban bullfighting
MP Aymeric Caron has abandoned his attempt to ban bullfighting in France. (Photo by Alain JOCARD / AFP)

The 577-seat National Assembly had looked set to vote on draft legislation that would have made the practice illegal.

But the MP behind the bill withdrew it after lawmakers filed more than 500 amendments, many of them designed to take up parliamentary time and obstruct the vote.

“I’m so sorry,” Aymeric Caron, a La France insoumise (LFI) MP and animal rights’ campaigner, told the national assembly as he announced the decision in raucous and bad-tempered scenes.

Though public opinion is firmly in favour of outlawing the practice, the bill had already been expected to be rejected by a majority of lawmakers who
are wary about stirring up the bullfighting heartlands in the south of the country.

“We need to go towards a conciliation, an exchange,” President Emmanuel Macron said on Wednesday, adding that he did not expect the draft law to pass. “From where I am sitting, this is not a current priority.”

His government has urged members of the ruling centrist coalition not to support the text from the opposition LFI, even though many members are known to personally favour it.

During a first debate of the parliament’s law commission last week, a majority voted against the proposal by Caron, who denounced the “barbarism” of a tradition that was imported from Spain in the 1850s.

“Caron has antagonised people instead of trying to smooth it over,” a lawmaker from Macron’s party told AFP on condition of anonymity.

The bill proposed modifying an existing law penalising animal cruelty to remove exemptions for bullfights that can be shown to be “uninterrupted local

These are granted in towns such as Bayonne and Mont-de-Marsan in south west France and along the Mediterranean coast including Arles, Beziers and Nîmes.

Around 1,000 bulls are killed each year in France, according to the Observatoire National des Cultures Taurines.

READ ALSO EXPLAINED: Could bullfighting finally be banned in France?

Many so-called “bull towns” depend on the shows for tourism and see the culture of bull-breeding and the spectacle of the fight as part of their way of life – idolised by artists from Ernest Hemingway to Pablo Picasso.

They organised demonstrations last Saturday, while animal rights protesters gathered in Paris – highlighting the north-south and rural-versus-Paris divide at the heart of the debate.

“Caron, in a very moralising tone, wants to explain to us, from Paris, what is good or bad in the south,” the mayor of Mont-de-Marsan, Charles Dayot, told AFP recently.

Other defenders of “la Corrida” in France view the focus on the sport as hypocritical when factory farms and industrial slaughter houses are overlooked.

“These animals die too and we don’t talk enough about it,” said Dalia Navarro, who formed the pro-bullfighting group Les Andalouses in southern Arles.

Modern society “has more and more difficulty in accepting seeing death. But la Corrida tackles death, which is often a taboo subject,” she told AFP.

Previous judicial attempts to outlaw bullfighting have repeatedly failed, with courts routinely rejecting lawsuits lodged by animal rights activists, most recently in July 2021 in Nîmes.

The debate in France about the ethics of killing animals for entertainment is echoed in other countries with bullfighting histories, including Spain and Portugal as well as Mexico, Colombia and Venezuela.

In June, a judge in Mexico City ordered an indefinite suspension of bullfighting in the capital’s historic bullring, the largest in the world.

The first bullfight took place in France in 1853 in Bayonne to honour Eugenie de Montijo, the Spanish wife of Napoleon III.

Member comments

  1. It’s extraordinary that a 21st century Western society can approve the public torture and eventual killing of another animal for ‘entertainment’. The fact that ‘celebrities’ as Picaso and Hemingway thought it was laudable merely indicates their talents and insights were confined only to painting and writing.
    Charles Dayot’s claim that it’s a cultural difference in central administration is missing the point. Intellectually it’s shameful. Dalia Navarro is equally blind. Slaughtered animals for food is entirely different from killing for pleasure. Perhaps she should install public galleries in slaughter houses for those who find death of others entertaining.

Log in here to leave a comment.
Become a Member to leave a comment.


Does Asterix have the magic potion to save French cinema?

"Asterix" returns to the big screen on Wednesday as France tries to match Hollywood by weaponising nostalgia in the battle for box office success.

Does Asterix have the magic potion to save French cinema?

Critics may bemoan the crushing lack of originality in Hollywood in recent years, as risk-averse studios fall back on their catalogue of familiar superhero and sci-fi franchises.

But there is no doubting that it works: the top 10 of almost every country’s box office last year comprised nothing but Hollywood sequels, reboots and video game adaptations.

That is particularly frustrating for France, where ministers wonder whether they are getting a return on vast state subsidies lavished on the film industry.

Roselyne Bachelot, culture minister from 2020 to 2022, was scathing about her country’s filmmakers in a recent book.

“Direct subsidies, advances on receipts, tax exemptions… have created a protected industry which not only doesn’t care much about audiences’ tastes but even expresses contempt for ‘mainstream’ and profitable films,” she wrote.

Paris-based Pathe wants to be an exception, not least because it also runs a large chain of cinemas.

Borrowing from the Hollywood playbook, it has thrown large budgets at “Asterix and Obelix: The Middle Kingdom”, and “The Three Musketeers” which follows in its wake.

A reworking of “The Count of Monte Cristo” and a Charles de Gaulle biopic are also in the pipeline.

Pathe president Ardavan Safaee told AFP last year that the French system of producing hundreds of small, arty films “isn’t viable in the long-term” and that France needs “more spectacular” fare to compete with Hollywood blockbusters and streaming platforms.

‘The joy, the celebration’

The strategy will likely work at home: the four previous live-action Asterix movies (between 1999 and 2012) sold some 35 million tickets in France and almost the same again around Europe.

The latest takes no chances, with popular stars (including Marion Cotillard and Vincent Cassel as Cleopatra and Julius Caesar) alongside cameos from rappers, YouTubers and even footballer Zlatan Ibrahimovic designed to tempt younger viewers back to cinemas.

“Big films like this represent the joy, the celebration of making cinema in a very free and very broad way,” said Gilles Lellouche, who inherits the large britches of Obelix from previous star Gerard Depardieu.

Outside Europe, the prospects are less clear.

The makers had hoped for success in China, where the film is set. Director Guillaume Canet (who also stars as Asterix) travelled with President Emmanuel Macron to Beijing in 2019 to win the right to film on the Great Wall. But the pandemic ultimately scuppered the plan, and the film has yet to find a Chinese distributor.

Britain and the United States are also tricky markets since audiences are unaccustomed to dubbed or subtitled family fare.

It has been more than a decade since “The Artist” and “The Intouchables” broke records abroad. But despite occasional blockbusters like “Lucy” and “Valerian and the City of a Thousand Planets” from Luc Besson, overseas ticket sales have been on a downward trend.

That could change. It’s no surprise that “Asterix” is being released on Netflix in the US — the streamer has done much to overcome traditional American aversion to subtitles with hit foreign shows, including France’s “Lupin” and “Call My Agent”.

“The time is right for updates of ‘The Three Musketeers’ and ‘Asterix’ to find success in America where fans are hungry for movies and shows with diverse and exciting points of view,” said Paul Dergarabedian, of US media analysts Comscore.