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TOURISM

New guide to Paris museums – showing only the nudes

There are lots of guides to the visual splendours of Paris' museums and art galleries - but for those with a short attention span comes a new one, showing only nude or erotic artworks.

New guide to Paris museums - showing only the nudes
Find your way straight to the most erotic works in Paris galleries. Photo: Guiseppe Cacace/AFP

The online guides to the Louvre and Musée d’Orsay museums are produced by the porn website Pornhub and provide a list of the best erotic artworks in each museum, plus directions of how to get there – so you don’t need to waste your time looking at paintings of people in clothes.

The Classic Nudes series has been ruffling some feathers since it was posted online earlier in July, with the Uffizi museum in Florence threatening to sue. Bosses at the Louvre have said only that they are ‘dismayed’, while the Musée d’Orsay has remained silent on the subject.

The guide for the Musée d’Orsay lists 11 erotic artworks, together with a tongue-in-cheek commentary, and a location for each piece within the museum.

The Sleep by Gustave Courbet. Photo by FRANCOIS GUILLOT / AFP

Among the works featured are;

  • Le déjeuner sur l’herbe by Edouard Manet (1863) – which features a group having a picnic in which the woman has lost her clothes (the men remain fully dressed in three-piece suits and ties).
  • Un combat des coqs by Jean-Léon Gérôme (1846) – a nude couple watching a cock fight (that’s cockerels fighting, just to be clear).
  • L’origine du monde by Gustave Courbet (1866) – more than 150 years after it was first painted, the intimate close-up of female genitalia is still making waves. In 2019 Facebook had to pay damages to a French teacher whose account was closed when he posted a picture of the famous artwork.

The guide for the Louvre includes:

Nude young Man by Hippolyte Flandrin. Photo by KENZO TRIBOUILLARD / AFP
  • Portrait of Madeleine by Marie Guillemine Benoist (1800) – groundbreaking in several senses, this painting is one of the few on the list by a woman, and shows a topless black woman, painted just six years after the abolition of slavery in France’s colonies. 
  • Diane sortant du bain by François Boucher (1742) – one of many paintings on the list showing women having a bath, this features the Greek goddess Diana and her favourite nymph apparently surprised by the artist in the process of drying off after a bath. 
  • Le Jeune homme nu by Hippolyte Flandrin (1835) – most of the flesh shown in both the galleries is female (because that’s the patriarchy for you) but here we have a more rare male nude, a study of a young man sitting and looking rather sad and pensive.

As is hopefully clear, the Pornhub guides are explicit in nature and not suitable for children.

Both museums, however, form a great day out for all the family and contain a lot of fully-clothed artwork too. At present both are operating reduced visitor numbers due to health rules, so advance booking to recommended.

IN DETAIL: When do France’s top tourist sites reopen?

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HISTORY

‘Lost’ manuscript of pro-Nazi French author published 78 years later

A book by one of France's most celebrated and controversial literary figures arrives in bookstores this week, 78 years after the manuscript disappeared

'Lost' manuscript of pro-Nazi French author published 78 years later

It is a rare thing when the story of a book’s publication is even more mysterious than the plot of the novel itself.

But that might be said of Guerre (War) by one of France’s most celebrated and controversial literary figures, Louis-Ferdinand Celine, which arrives in bookstores on Thursday, some 78 years after its manuscript disappeared.

Celine’s reputation has somehow survived the fact that he was one of France’s most eager collaborators with the Nazis.

Already a superstar thanks to his debut novel Journey to the End of the Night (1932), Celine became one of the most ardent anti-Semitic propagandists even before France’s occupation.

In June 1944, with the Allies advancing on Paris, the writer abandoned a pile of his manuscripts in his Montmartre apartment.

Celine feared rough treatment from authorities in liberated France, having spent the war carousing with the Gestapo, and giving up Jews and foreigners to the Nazi regime and publishing racist pamphlets about Jewish world conspiracies.

For decades, no one knew what happened to his papers, and he accused resistance fighters of burning them. But at some point in the 2000s, they ended up with retired journalist Jean-Pierre Thibaudat, who passed them – completely out of the blue – to Celine’s heirs last summer.

‘A miracle’
Despite the author’s history, reviews of the 150-page novel, published by Gallimard, have been unanimous in their praise.

“The end of a mystery, the discovery of a great text,” writes Le Point; a “miracle,” says Le Monde; “breathtaking,” gushes Journal du Dimanche.

Gallimard has yet to say whether the novel will be translated.

Like much of Celine’s work, Guerre is deeply autobiographical, recounting his experiences during World War I.

It opens with 20-year-old Brigadier Ferdinand finding himself miraculously alive after waking up on a Belgian battlefield, follows his treatment and hasty departure for England – all based on Celine’s real experiences.

His time across the Channel is the subject of another newly discovered novel, Londres (London), to be published this autumn.

If French reviewers seem reluctant to focus on Celine’s rampant World War II anti-Semitism, it is partly because his early writings (Guerre is thought to date from 1934) show little sign of it.

Journey to the End of the Night was a hit among progressives for its anti-war message, as well as a raw, slang-filled style that stuck two fingers up at bourgeois sensibilities.

Celine’s attitude to the Jews only revealed itself in 1937 with the publication of a pamphlet, Trifles for a Massacre, which set him on a new path of racial hatred and conspiracy-mongering.

He never back-tracked. After the war, he launched a campaign of Holocaust-denial and sought to muddy the waters around his own war-time exploits – allowing him to worm his way back into France without repercussions.

‘Divine surprise’
Many in the French literary scene seem keen to separate early and late Celine.

“These manuscripts come at the right time – they are a divine surprise – for Celine to become a writer again: the one who matters, from 1932 to 1936,” literary historian Philippe Roussin told AFP.

Other critics say the early Celine was just hiding his true feelings.

They highlight a quote that may explain the gap between his progressive novels and reactionary feelings: “Knowing what the reader wants, following fashions like a shopgirl, is the job of any writer who is very financially constrained,” Celine wrote to a friend.

Despite his descent into Nazism, he was one of the great chroniclers of the trauma of World War I and the malaise of the inter-war years.

An exhibition about the discovery of the manuscripts opens on Thursday at the Gallimard Gallery and includes the original, hand-written sheets of Guerre.

They end with a line that is typical of Celine: “I caught the war in my head. It is locked in my head.”

In the final years before his death in 1961, Celine endlessly bemoaned the loss of his manuscripts.

The exhibition has a quote from him on the wall: “They burned them, almost three manuscripts, the pest-purging vigilantes!”

This was one occasion – not the only one – where he was proved wrong.

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