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Knife attacker badly damages artwork at Paris’ Pompidiou Centre

An attacker wielding a utility knife has badly damaged a work by the celebrated French conceptual artist Daniel Buren at the Pompidou Centre in central Paris, the museum said on Friday.

Knife attacker badly damages artwork at Paris' Pompidiou Centre
One of Daniel Buren's other works on display in Paris. Photo: AFP

The work, “Peinture [Manifestation 3]”, suffered “serious deliberate damage” in Thursday afternoon's attack by the man, the museum said in a statement.

It said that a museum attendant alerted security, and video cameras allowed the rapid finding of the suspect. “He made no claim (over the attack) and was handed over to the police,” it said.

Artist Daniel Buren, 81. Photo: AFP

An investigation has been opened by the judicial authorities after the museum filed a complaint to police.

The artist, 81, has been informed of the incident and the work itself transferred to the stores of the Pompidou Centre to estimate the damage and restoration needed.

It will be replaced on public display by another work from the artist.

The Pompidou Centre said it understood the suspect was no longer in detention and had been transferred to a psychiatric unit.

“Peinture [Manifestation 3]” was created by Buren in 1967 and shows red and white stripes. It was purchased for the museum's collection in 1986.

Buren is perhaps best known for the succession of black-and-white columns he inlaid into the inner courtyard of the Palais Royal complex in central Paris in a hugely controversial installation that opened in 1986.

The damage to the work comes just over a week after a stencilled work by the elusive British street artist Banksy was stolen from outside the Pompidou Centre.

The Pompidou, which houses Europe's biggest collection of contemporary art but does not own the Banksy work, filed a police complaint for destruction of property.

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CULTURE

Asterix: Five things to know about France’s favourite character

Asterix is hitting the box offices again, so to celebrate here's a look at France's most treasured hero.

Asterix: Five things to know about France's favourite character

If you have walked past a bus stop anywhere in France in recent weeks, then you have likely run into film posters advertising Asterix and Obelix: The Middle Kingdom.

Starring high-profile French actors Marion Cotillard and Vincent Cassel, France’s film industry is hoping that this film, capitalising on France’s nostalgic relationship with the comic series “Asterix” will bring box office success.

The Asterix comic book series was first published in 1959, and tells the story of a small Gallic village on the coast of France that is attempting to defend itself from invaders, namely the Romans. Asterix, the hero of the series, manages to always save the day, helping his fellow Gauls keep the conquerors at bay.

As the beloved Gaulish hero makes his way back onto the big screen, here are five things you should know about France’s cherished series:

Asterix is seen as the ‘every day’ Frenchman

“Asterix brings together all of the identity-based clichés that form the basis of French culture”, Nicolas Rouvière, researcher at the University of Grenoble-Alps and expert in French comics, told AFP in an interview in 2015.

READ MORE: Bande dessinée: Why do the French love comic books so much?

The expert wrote in his 2014 book “Obelix Complex” that “the French like to look at themselves in this mirror [of the Asterix series], which reflects their qualities and shortcomings in a caricatured and complacent way”.

Oftentimes, the French will invoke Asterix – the man who protected France from the Roman invaders – when expressing their resistance toward something, whether that is imported, American fast food or an unpopular government reform.

The front page of French leftwing newspaper Libération shows President Emmanuel Macron as a Roman while Asterix and his team are the French people protesting against pension reform.

The figure of ‘a Gaul’ is a popular mascot for French sports teams, and you’ll even see people dressed up as Asterix on demos. 

A man dressed as Asterix the Gaul with a placard reading “Gaul, Borne breaks our balls” during a protest over the government’s proposed pension reform, in Paris on January 31, 2023. (Photo by JULIEN DE ROSA / AFP)

Asterix is the second best-selling comic series

The series has had great success in France since it was first launched in 1959, originally as Astérix le Gaulois. It has also been popular across much of Europe, as the series often traffics in tongue-in-cheek stereotypes of other European nations – for example, caricaturing the English as fans of lukewarm beer and tasteless foods.

Over the years, Asterix has been translated into more than 100 languages, with at least 375 million copies sold worldwide.

It remains the second best-selling comic series in the world, after the popular manga “One Piece”.

There is an Asterix theme park 

The French love Asterix so much that they created a theme park, located just 22 miles north of Paris, in the comic series’ honour in 1989.

The park receives up to two million visitors a year, making it the second most visited theme park in France, after Disneyland Paris. With over 40 attractions and six themed sections, inspired by the comic books, the park brings both young and old visitors each year. 

READ MORE: Six French ‘bandes dessinées’ to start with

The first French satellite was named after Asterix

As Asterix comes from the Greek word for ‘little star’, the French though it would be apt to name their first satellite, launched in 1965 after the Gaulish warrior.

As of 2023, the satellite was still orbiting the earth and will likely continue to do so for centuries to come.

Asterix’ co-authors were from immigrant backgrounds

Here’s become the ‘ultimate Frenchman’, but both creators of the Asterix series were second-generation French nationals, born in France in the 1920s to immigrant parents.

René Goscinny created the Asterix comic series alongside illustrator Albert Uderzo. Goscinny’s parents were Jewish immigrants from Poland. Born in Paris, René’s family moved to Argentina when he was young and he was raised there for the majority of his childhood. As for Albert Uderzo, his parents were Italian immigrants who settled in the Paris region.

Goscinny unexpectedly died at the age of 51, while writing Asterix in Belgium. From then on, Uderzo took over both writing and illustrating the series on his own, marking Goscinny’s death in the comic by illustrating dark skies for the remainder of the book.

In 1985, Uderzo received one of the highest distinctions in France – the Legion of Honour. Uderzo retired in 2011, but briefly came out of retirement in 2015 to commemorate the Charlie Hebdo cartoonists who were murdered in a terror attack by drawing two Asterix pictures honouring their memories.

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