French film blog: How foreigners learn to romanticise Paris through film

With its beautiful face and seductive charm, Paris is the ideal film star - but are non-French people being given false expectations of the modern city, asks Elizabeth Lanier.

French film blog: How foreigners learn to romanticise Paris through film
The hazy romantic charm of Paris as seen through American films. Photo: AFP

Francophilia is nothing new, especially in America. France has long embodied sophistication, class, and style. Paris is the “City of Love,” and many Americans think French is the sexiest accent (it is a Romance language, after all).

We see movies like Midnight in Paris and Amelie and idealise Brigitte Bardot. The France that we Americans dream of – with its suave, fashionable men in turtlenecks, and graceful, effortlessly beautiful women – may exist in some form or another, but is by no means is reflective of France as a whole.

There’s a name for the broken expectations that affect some tourists physically: Paris Syndrome.


Woody Allen's characters in Midnight in Paris are never confronted with beggars, litter or the smell of urine.

When Paris is so idealised, as it is in many films that are popular outside of France, it is impossible for the city to live up to the hype, leading to depression for some tourists. Francophiles worldwide hold in their minds a pristine, romanticised, Instagram version of Paris.

This is not to say that Paris is not amazing; it is. But it’s not the monocultural, perfect city that fictional characters seem to inhabit.

Paris is wonderful because of all the things it has going on, whether that be quiet pastel-colored boulangeries, or the bustling crowd of internationals in the wide Haussmann streets.

Midnight in Paris presents Paris through American eyes, rather than native French. Nostalgia plays a part even more explicitly, as the film references the 1920s, the Jazz Age.

The idea of Paris as it was (portrayed) in the 1920s permeates American minds, and further romanticises the city. That nostalgia for a world long gone is apparent in this film, with Paris as the main character’s escape from the real world with all its complications and filth.

Paris is also quite easily recognisable to the American viewer; tourist attractions like the Eiffel Tower and Montmartre feature heavily in the film, always visible. There is never anything in Woody Allen’s Paris that is unappealing. Instead, everyone is in fortunate circumstances and dressed fashionably. The city is beautiful, and so are its people, and nothing is out of place.

Films such as Amelie, Funny Face and An American in Paris all reinforce this image of a dream-like, idealised Paris.

Les Misérables is perhaps the most popular French story with Americans, and portrays a divided France almost two hundred years ago (contrary to popular belief, Les Mis is set in the Revolution of 1830, not the French Revolution in the late eighteenth century).

This Paris is rough, dirty, and unforgiving. The story is Victor Hugo’s, who actually lived through this revolution, and is more about Parisians than Paris. It does not reflect modern Paris, and does not pretend to.

Unlike Midnight in Paris, there is no romanticisation of Paris, but the tragic nature of the story ennobles the characters, and highlights the complexities of French society and the individual characters. From Fantine to Jean Valjean, the viewer cannot help but feel sorry for each character and be invested in their fate. The story stirs passion and, to Americans, a sense of camaraderie with the French.

After all, we point to a revolution against oppressors as our own foundation. Americans travel to Paris every year to tour Hugo’s Paris, but it’s long gone, physically and culturally. Haussmannisation prevented exactly the types of barricades featured in Les Mis, and while Parisians still feel the need to protest out in the streets, it isn’t necessarily the noble struggle for freedom that Hugo writes about.

A new movie also called Les Misérables dealing with today’s social issues recently won the Jury Prize at the 2019 Cannes film festival. It reflects the modern struggle between police and gangs.

Even dying of tuberculosis is romantic when it's done in Paris, as Moulin Rogue shows

Moulin Rouge! is very popular among Americans as well and, again, presents a Paris long gone.

The film shows Parisians as eccentric and adventurous, like Midnight in Paris does. It’s escapist, as well, allowing audience members to get lost in their imagination of burlesque fantasies and the tragic artist, both of which are romanticized.

Like Les Mis, suffering is tragic but also beautiful. Fantine and Satine are the picture of the beautiful, tragic woman. Even the death of the main character’s love interest is beautiful.

These Americanised “French” movies place much importance on ideals, and while they don’t conceal or cancel out hardship, they give purpose to the characters, even if they die. They also largely depict a “historical” Paris that may or may not have ever existed. Like New York City, Paris seems a city that is not without its difficulties, but the romance and excitement of the city make it beautiful.

Lots of French movies focus on the reality of living in France and reject the fantastic nature of many American films. Movies like Les Intouchables and Mon Roi explore modern life in France without the unrealistic romanticisation, and have been box offices smashes in France. But these films rarely seem to get much international success, so Americans do not typically see them.

This means that many of the stories that inform our ideas of France are not told by actual French people, and we rely largely on the American imagination.

Cult classics like Moulin Rouge and Midnight in Paris fail to represent the modern, lively, and diverse Paris. They represent an American vision of France, in which Paris is a romantic city in which everyone has, if not a happy, then beautiful, ending to their love affairs.

Sure, Paris is amazing and can be romantic and magical – but at the same time it can be hectic, overwhelming and grubby.

Elizabeth Lanier – an American living in Paris – works for Lost in Frenchlation, a Paris-based cinema club that shows French film with English subtitles. For details of the programme of screenings, click here.  

Member comments

  1. Could not agree more with the vindication of films like Midnight in Paris.
    Those who live here have been accustomed to Paris becoming a giant cendrier.
    It is filthy compared to 10 years ago even. 🙁

Log in here to leave a comment.
Become a Member to leave a comment.


Everything you need to know about France’s 2022 summer sales

In France, you can only shop the best deals twice a year - during the soldes. Here is everything you need to know about this year's summer sales.

Everything you need to know about France's 2022 summer sales

They happen twice a year – Each year, France has two soldes periods: one in the winter, usually starting January, and another in the summer, usually starting in June.

This summer, the soldes will start on Wednesday, June 22nd in most parts of France and run for four weeks, so even though you might be tempted to go on the first day, keep in mind they’ll be going on for a while.

They are progressive, so items will be continuously marked down as the soldes wear on. If you wait, you are risking that your favourite t-shirt might sell out quickly, but if you’re lucky it might end up marked down even further.

During 2020 and 2021 the government altered sales dates and time periods to help shops cope with closures and lockdowns, but now we’re back to the usual timetable.

This is the only time stores can have “sales” – Technically, the soldes are the only time that stores are allowed to have sales, but the definition of ‘sale’ is important.

Basically, the French government qualifies a ‘solde‘ as the store selling an item for less than they purchased it for.

During the rest of the year discounting is allowed in certain circumstances, so you might see promotions or vente privée (private sales, usually short-term events aimed at regular customers or loyalty-card holders) throughout the year.

In these situations the stores might be selling items for less than their original price, but they are not permitted to sell the item for less than they bought it for. 

Shops are also permitted to have closing-down sales if they are shutting down, or closing temporarily for refurbishment.

They are strictly regulated by the French government – Everything from how long the soldes go for to the consumer protection rules that apply to the very definition of ‘solde’ is regulated by the French government, and the main purpose of this is to protect small independent businesses which might not be able to offer the same level of discounts as the big chains and multi-national companies.

Whether you shop in person or online, the same rules apply.

As a consumer, you still have the same rights as non-sales times regarding broken or malfunctioning items – meaning you ought to be entitled to a refund if the item has not been expressly indicated as faulty. The French term is vice caché, referring to discovering a defect after purchase.

On top of that, stores must be clear about which items are reduced and which are not – and must display the original price on the label as well as the sale price and percentage discount. 

READ MORE: Your consumer rights for French sales

They started in the 19th century – France’s soldes started in the 19th century, alongside the growth of department stores who had the need to regularly renew their stock – and get rid of leftover items.

Simon Mannoury, who founded the first Parisian department store “Petit Saint-Thomas” in 1830, came up with the idea.

Funnily enough, this department store actually is the ancestor for the famous department store Le Bon Marché. His goal was to sell off the previous season’s unsold stock in order to replace it with new products.

In order to do this, Mannoury offered heavy discounts to sell as much merchandise as possible in a limited time.

The soldes start at different times depending on where you live – The sales start at the same time across most of mainland France, but there are exceptions for overseas France and certain départements, usually those along the border.

France’s finance ministry allows for the sales to start at different times based on local economies and tourist seasons. 

For the summer 2022 sales only two parts of metropolitan France have different dates; Alpes-Maritimes sales run from July 6th to August 2nd, while on the island of Corsica they run from July 13th to August 9th.

In France’s overseas territories the sales are held later in the year.

You might qualify for a tax rebate – If you are resident outside the EU, you might be eligible for a tax rebate on your sales purchases.

If you spend at least €100 in one store, then you qualify. You should hold onto your receipt and tell the cashier you plan to use a tax rebate so they can give you the necessary documentation (a duty-free slip).

Then when you are leaving you can find the kiosk at the station or airport dedicated to tax rebates (détaxe) and file prior to leaving France. For more information read HERE